Language and Visual Strategies in Unveiling Fear Emotions: A Case Study of The Main Characters in ”Frozen I”
Keywords:
fear emotions, language strategies, visual strategies, Frozen 1, multimodal analysisAbstract
This study investigates the use of language and visual strategies in unveiling fear emotions portrayed by the main characters, Elsa and Anna, in the animated movie Frozen I. Fear, as a universal and fundamental human emotion, is often employed in narratives to create dramatic tension and to deepen character development. In this research, a qualitative approach grounded in Multimodal Discourse Analysis (MDA) was applied to examine both linguistic and visual resources that construct the meaning of fear in selected scenes. Dialogues were analyzed based on Kress and van Leeuwen's visual grammar framework. The findings demonstrate that fear is revealed through a combination of language and visual markers. Language, fear is expressed by hesitant lexical choices, modal verbs that indicate uncertainty and restraint, and repetition and intonation shifts that reinforce insecurity. Visually, fear is represented through close-up shots emphasizing facial expressions—such as widened eyes and trembling lips—body gestures of withdrawal and avoidance, and cinematic techniques including dim lighting and cold color palettes. Together, these strategies highlight how meaning emerges from the interaction of verbal and non-verbal modes, making internal psychological states observable and relatable for audiences. The novelty of this research lies in its integrative approach, which bridges linguistic and visual analysis to explore how fear as an emotion is multimodally constructed in animated film. This study contributes not only to the field of multimodal discourse analysis but also to broader discussions on how emotions are culturally mediated in popular media. It suggests that animated films such as Frozen play a significant role in shaping audience perceptions of psychological struggles, identity, and resilience through multimodal means.
References
Austin, J. . (1962). Austin J. L. -How to Do Things With Words. In Oxford applied linguistics (pp. 1–174).
Baldry, A., & Thibault, P. J. (2006). Multimodal transcription and text analysis: A multimedia toolkit and coursebook. Equinox Publishing.
Barrett, L. F. (2017). How emotions are made. In How emotions are made (Vol. 1, Issue 69).
Creswell, J. W. (2014). Research design: Qualitative, quantitative, and mixed methods approaches (4th ed.). Thousand Oaks, CA: SAGE Publications.
https://us.sagepub.com/en-us/nam/research-design/book246880
DeVito, J. A. (2006). The Interpersonal Communication Book (14 th ed). New Jersey:
Pearson Education.
Ekman, P. (2007). Emotions Revealed: Recognizing Faces and Feelings to Improve Communication and Emotional Life. 2nd ed.. Times Books.
Juraj, J., Jurja Strossmayera Osijeku, J., & fakultet, F. (2023). Translation Strategies in the Dubbing of Children’s Animated Movies: A Case Study of Frozen I and II.
Kahou, S. E., et al. (2015). EmoNets: Multimodal deep learning approaches for emotion recognition in video. arXiv preprint arXiv:1503.01800v2.
Kress, G., & van Leeuwen, T. (2006). Reading Images: The Grammar of Visual Design. Routledge.
Parrott, W. G. (2001). Emotions in Social Psychology: Essential Readings. Psychology
Press.
Searle, J. R. (1979). Expression and meaning: Studies in the theory of speech acts. Cambridge University Press.
Wang, Yufei. (2023). Constructing Interpersonal Meaning in Frozen: A Visual Grammar Approach. Journal of Visual Communication, vol. 45, no. 2,, pp. 134–147.
Yanti, Y. (2021). Basic Emotions in the 2008 U.S. Presidential Debates: What and How. Journal of Cultura and Lingua, 2(3), 149–161. https://doi.org/10.37301/culingua.v2i3.97
Online Sources:
BBC News: Frozen becomes fifth-biggest film in box office history
Cambridge Dictionary Online in http://dictionary.cambridge.org
Downloads
Published
Issue
Section
License
Copyright (c) 2025 http://creativecommons.org/licenses/by/4.0/

This work is licensed under a Creative Commons Attribution 4.0 International License.