ANALISIS DEAI NO AISATSU DAN WAKARE NO AISATSU DITINJAU DARI POWER DAN SOLIDARITY

Abstract

In this study, I discuss about utterances of deai no aisatsu and wakare no
aisatsu from perspectives of power and solidarity. I analyze deai no aisatsu and wakare
no aisatsu in Japanese drama, By Boss My Hero. I describe and categorize utterances of
deai no aisatsu and wakare no aisatsu in My Boss My Hero, and analyze it with the
theory of power and solidarity. For this analysis, I use descriptive method.
Through my analysis, I use the theory of Hasegawa Yoriko which claim that
aisatsu could be classified into five categories; aisatsu go, aisatsu kosho, aisatsu
kandoushi, aisatsu jissitsu teki hatsuwa and aisatsu dousa. In order to analyze power
and solidarity, I use the theory of Ron Scollon, Suzane Won Scollon and Rodney H.
Jones. According to these scholar, utterances affected by the power relations and
distances between speakers andlisteners.
Through this analysis, I claim that speakers in greeting situation use not only
aisatsu go, but also other aisatsu like aisatsu kosho, aisatsu kandoushi and aisatsu
jissitsu teki hatsuwa. These the way of useaisatsu affected by the power relations and
distances between speakers and listeners.
Keywords: aisatsu, deai no aisatsu, wakare no aisatsu, power and solidarity